​The Mar/Apr 2022 issue of The Kenyon Review is a collection of poetry and prose focused on work and the world which surrounds the working individual. I found its cohesiveness, and sometimes deviation from work, to be fascinating in that work consumes large chunks of someone’s life. The pieces that stood out to me the most were ‘Ink’ by Angela Woodward, ‘Bebo’ by Jared Jackson, ‘Butchers’ by Dylan Reynolds, and ‘Automatic Reply’ by Mikey Swanberg. I found the visceral, and at times fearfulness, conveyed within ‘Butchers’ kept me on edge, while the tone in ‘Automatic Reply’ was both genuine and humorous.
 
Though, I found the story ‘Anaheim’ by Jennifer Croft to be slightly lacking in that its reference to George Floyd was inconsequential to the plot. Also, the setting of the pandemic didn’t seem to provide a fresh enough take to be compelling.
 
Overall, I enjoyed the issue and thought it had some great insights into how we interact and think about work.
 
Final Rating: 3.5/5

​Long Division by Kiese Laymon follows two narratives that are closely tied together. The first begins with a boy in 2013 named City, who becomes famous overnight from a speech at a national sentence contest. The second narrative follows another boy, by the same name, living in 1985, where he finds a time portal to 1965 and 2013. The characters and themes of each part look to tackle race and racism in America.
 
What I found interesting and fairly fun is the way the novel is self-referential. In the story, there is a book also called Long Division that acts as a side character for both City’s, since they each have one part of the book. And I found that the amount of wit and wordplay in the story felt fluid and was engaging.
 
However, in the last few chapters, there is one scene where a building is about to be lit on fire with the body of Lerthon Coldson in it. But I found it odd that Baize was able to simply put on a song to cause the Klansmen to stop their plan and join in dancing. The premise just felt somewhat inconsistent with the tone and trajectory with the rest of the scene.
 
Overall, it was a nice read, and the voices of the characters seem they have been written with their age in mind. And finally, I liked how the story ended with a sprinkle of hope to get Baize back from disappearing.
 
Final Rating 3.5/5

Crying in H Mart by Michelle Zauner is a memoir told in food about the relationship and loss of her mother. Both to Zauner are inextricably linked, and so I found myself reading about meals that I would want to have. She managed to create a whole picture of her mother that was both loving and critical.
 
However, the memoir sometimes worried too much about what happened and not what it meant. And sometimes, the phrases and sentences didn’t convey as much meaning and imagery as I felt they needed. Though, I enjoyed the way Zauner navigated two languages through the use of food.
 
Final Rating: 3.5/5

​In this issue of Poetry Magazine, the collection works to create a tapestry of events both relevant and powerful. This issue focuses on featuring poets from Alabama in which the themes of the poems centered mainly around race, the pandemic, and the spots of joy around them. Because of this however, there were some poems of happiness/joy that didn’t feel like they met the moment of what the rest of the issue was working towards.
 
I’d like to highlight a few poems that had a strong impact. First, was the poem ‘I Just Want to Live Long Enough to See Allen Iverson Live Long Enough to Get His Reebok Check’, which both acknowledges and challenges the idea that progress happens in the small moments. To me, the second stanza particularly felt significant. Other poems to keep an eye out for are ‘Irish Goodbye’ by Kimberly Casey, ‘Burden Hill Apothecary & Babalú-Ayé Prepare Stinging Nettle Tea’ by L. Lamar Wilson, and ‘The Beach is Host to Small Things’ by Kwoya Fagin Maples.
 
Final Rating: 3.5/5