Night Sky with Exit Wounds by Ocean Vuong is a collection of poetry detailing the life of a gay Vietnamese immigrant. In it, he grapples with encounters he’s had with other men and what they mean, the origin of him and his family, and works all those moments into understanding religion and the self. Not only is Vuong highly skilled at creating a satisfying and beautiful narrative arc, but he is also tidy and imaginative with his mastery of prose. In ‘Because It’s Summer’ Vuong writes, “you want/to tell him it’s okay that the night is also a grave/we climb out of but he’s already fixing his collar the cornfield a cruelty steaming/with manure you smear your neck with”. His words are so exact in this collection, and the imagery refracts back on itself in new and imaginative ways. I was also astounded when reading ‘Aubade with Burning City’ where Vuong so powerfully juxtaposes the song of ‘White Christmas’ that played to signify the evacuation of Vietnam with the stark chaos and pain and sadness the Americans caused. It ends so heavily with the words, “In the square below: a nun, on fire,/runs silently toward her god—/Open, he says./She opens.” Other amazing highlights include ‘Untitled (Blue, Green, and Brown): oil on canvas: Mark Rothko: 1952’, ‘Notebook Fragments’, and ‘Prayer for the Newly Damned’. This collection is deftly honest, powerful, raw, and above all, beautiful.
Final Rating: 5/5
Maxwell Suzuki is a writer, poet, and photographer based in Los Angeles.