Maxwell Suzuki
  • Home
  • Writing / Visual Art
  • Reviews
  • Contact

Reviews

Review of the Paris Review Issue 237

9/14/2021

0 Comments

 
​In the Paris Review Issue 237 writers grapple with the existential and the absurd, sometimes to great effect, and other times missing the mark. I was particularly drawn to the first story, ‘The Beyoğlu Municipality Waste Management Orchestra’ by Kenan Orhan, where a garbage collector begins to collect instruments after the city cracks down on people’s possessions. The absurdity builds until he not only collects all the instruments for an orchestra, but also all the players. At the end, the police find out what he was doing, and so locked him up with objects that the speaker believed had also been arrested. It was a story reminiscent of dystopian novels but had a twinge of humor.
 
Another highlight included Ada Limón’s poem ‘Power Lines’ in which a power line crew works to remove a tree in the way. And its final lines worked beyond the piece, “Now the tree is gone. The men are gone, just a ground-down stump / where what felt like wisdom once was.”
 
And the third piece I felt worked elegantly was Joy Katz’s creative non-fiction essay ‘Tennis is the Opposite of Death: A Proof’, which confronted a father’s death and Katz’s mortality. Its interplay with memory, tennis, and the father-daughter relationship held an emotional urgency.
 
However, while those pieces were my highlights, there were some moments that felt incongruous and sometimes didn’t work. I was particularly hesitant with the subject matter of ‘Rainbow Rainbow’ by Lydia Conklin in which a pair of teenagers fawn over an adult. It then broaches uncomfortable territory when one of the teenagers is fondled by the adult. And while I’m sure Conklin meant well in the conveyance of the adult realizing what she did was wrong, but it didn’t have a strong enough impact to excuse the actions beforehand (and maybe that was intended). Though, the damage of the adult didn’t seem to register or truly play out for the characters, and so it felt like a piece whose characters thought nothing but positively about the encounter.
 
I was also left underwhelmed by the story ‘The Lottery in Almeria’ by Camille Bordas, which had an initially interesting premise with the lottery and the inherited house of the father. Though, I felt that it fizzled out when the relationship with the sister was not really vibrant. I thought that the textbook writer writing the beginning of the story worked well, though it didn’t seem to follow through in the end.
 
There were some stunners, but also some stories that didn’t work too well for me.
 
Final Rating: 3/5
0 Comments



Leave a Reply.

    Author

    Maxwell Suzuki is a writer, poet, and photographer based in Los Angeles.

    Archives

    May 2022
    April 2022
    March 2022
    February 2022
    January 2022
    December 2021
    October 2021
    September 2021
    August 2021
    July 2021
    June 2021
    May 2021

    Categories

    All
    2/5
    2.5/5
    3/5
    3.5/5
    4/5
    4.5/5
    5/5
    Alexander Chee
    Ali Araghi
    Brett Biebel
    Cathy Park Hong
    Chen Chen
    Dang Thuy Tram
    Delia Owens
    Devon Capizzi
    Elie Wiesel
    Esteban Rodriguez
    Fiction
    Jean Kwok
    John Green
    Joy Kogawa
    Julie Otsuka
    Kaveh Akbar
    Kiese Laymon
    L.A. Johnson
    Madeline Miller
    Magazine
    Matthew Salesses
    Michelle Zauner
    Natalie Diaz
    Non Fiction
    Ocean Vuong
    Poetry
    Victoria Chang
    Viet Thanh Nguyen
    Yoko Ogawa
    Yoshiko Uchida

    RSS Feed

Powered by Create your own unique website with customizable templates.
  • Home
  • Writing / Visual Art
  • Reviews
  • Contact